![]() In the best of stories, it isĪctually characterization that moves the story along, because a compellingĬharacter in a difficult situation creates his or her own plot."Īuthors use many different types of characters to tell their stories.ĭifferent types of characters fulfill different roles in the narrative Important part of characterization is dialogue, for it is both spokenĪnd inward dialogue that afford us the opportunity to see into the characters' Us a sense of verisimilitude, or the semblance of living reality. People in the story is vicariously happening to us and it also gives Do they respond as humans or do they react because of a role they have to play? If they are playing a role, is it because of a need to play that role or simply because it’s the role dictated by the author? The first shows a character who understands he or she is playing a role that could have unforeseen consequences the second is a speed bump in the story so that the plot can wend toward its foreseen end.Do for a story? In a nutshell, it allows us to empathize with the protagonistĪnd secondary characters, and thus feel that what is happening to these They are the Prince Charming’s and Maleficent’s with backstories.Īs for deciphering if the characters are round or flat, it comes to an assessment of their behavior. They are transformed, for good or ill, by the circumstances against which they’re the pitted. ![]() They are people who struggle with hope, fear, desire, anger. They may be based on archetypes, but their types are altered by the existence of their humanity. Round characters are three-dimensional ones. Their actions are dictated by the roles they have to play (see: Prince Charming) rather than the characters they are or ostensibly could be. ![]() They’re often archetypal but without the saving grace of personality. They are one-dimensional, the cardboard cutout. They might have some really good lines, but they’re still a part of the backdrop. ![]() Flat characters tend to exist to move a story forward. He or she is the character who might receive a “best supporting” award, but it’s unlikely. The problem, except in the case of a plot-driven story, occurs when the main character, usually the protagonist but sometimes an antagonist, never leaves the realm of flat.Ī flat character is a stock one. ![]() Fiction houses two characters: round and flat. ![]()
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